![]() ![]() Makers soon applied the double slide to bass trombones in F and E♭ that would normally require a slide handle to reach the longest positions. He proposed that it would lend greater facility to the bass trombone, and described the idea of using two joined outer slides moving on four inner tubes, halving the distances between slide positions. The innovation that enabled a practical instrument was the double slide, first documented nearly two centuries later in 1816 by German writer and composer Gottfried Weber. Gottfried Weber's trombone slide concept in Allgemeine musikalische Zeitung, 1816 This instrument was seldom used and generally unsatisfactory with players, being unwieldy and taxing to play. During this period, the contrabass trombone was built with a very long slide, with an extension handle to reach the lower positions. The bass trombones of the time were pitched in 12′ F ( quart-posaune), or 14′ E♭ ( quint-posaune). The contrabass trombone first appeared in Renaissance music in the late 16th century as the octav-posaune ( lit. In the 21st century the contrabass has enjoyed something of a revival, particularly in film and video game soundtracks.įor broader coverage of this topic, see Trombone § History. Since the late 20th century, the double-slide contrabass has largely been supplanted by the less cumbersome bass-contrabass in F, a fourth below the B♭ tenor and bass trombones. ![]() German opera composer Richard Wagner notably called for this instrument in his Der Ring des Nibelungen opera cycle in the 1870s, and contrabass trombone has since appeared occasionally in large orchestral works without becoming a permanent member of the modern orchestra. While modern instruments are pitched in 12′ F with a single slide, the first practical contrabass trombones appeared in the mid-19th century built in 18′ B♭ an octave below the tenor trombone with a double slide. Hear the Model 1690 Contrabass Trombone in action here and here.The contrabass trombone ( German: Kontrabassposaune, Italian: trombone contrabbasso) is the lowest-pitched instrument in the trombone family of brass instruments. The bell is 10 1/4″ diameter yellow brass. ![]() The inline CR rotors are stepped bore, in. 562″/.608″ nickel slide with extended water key, and removable press-in mouthpipe. The Model 1690 can be heard on Mychael Danna’s Oscar-winning score for Life of Pi and also on Sufjan Stevens’ “Planetarium” tour in 2013. Army Blues and Capitol Bones, Joe Barati (Harry Connick, Jr.) and Paul Pollard of the Metropolitan Opera. Some of our favorite players currently using the 1690 include top studio players Phil Teele, George Thatcher, Craig Gosnell, and Bob Sanders also Jeff Cortazzo of the U.S. For the experienced bass trombone player, the addition of the Kanstul contra bass will add extra opportunity for you to share your craft. Any perceived advantages of a BBb contra bass are quelled after one blow on a Kanstul. As a solo, orchestral, or studio instrument, you’ll find that mastery of our F contra bass comes quickly, and any transpositions and longer hand slide positions are quickly learned. Though the vintage BBb contrabass trombone may be more famous, Zig Kanstul chose the key of F for his instrument to create a nimble voice that works with the player, rather than against him. Large diameter ergonomic cork barrels and rounded connector nut, a neoprene covered hand pad, and adjustable trigger paddles allow a player to remain comfortable and focus on the business of music. The ergonomic design of the Model 1690 properly fits the trombone to the human hand – distributing the weight in a sensible manner – and is adjustable. The size and weight of such an instrument can become a burden for the player, and without proper ergonomic design simply exchanges musicality for stress. ![]() One of the difficulties of designing such a large trombone is ergonomics. Considered one of the top contra bass trombones in the world, we’re proud to see it used by many of our friends in the Los Angeles studios. Our largest trombone, the Model 1690 F contra bass met with immediate success when introduced, and is used in symphony orchestras around the world. ![]()
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